On the steep hillside near the western boundary of my property, and visible from the highway as you travel south from Oatlands, is a village of small plastic domes. When they first went up, I used to think they looked like extra-terrestrial vehicles just the right size for a baby Yoda. In fact, they are part of an international research program looking at the effects of climate change on native pastures in many locations around the world. The Tasmanian component of the program is run by Prof Mark Hovenden and his team from the University of Tasmania.
Animal Wifery
We've had 3 ½ inches of rain in May (hooray!) and the property is looking better than it has in months. Admittedly, it looks better from a distance than at worm's-eye level, where there is too much bare ground showing. However, the lovely spring green look is most welcome, along with the beginnings of run-off.
Come Shepherding
Come Shepherding is a new initiative I’ve started, designed to give readers a more personal experience of shepherding, White Gum Wool style. Each time I do a shepherding circuit, I first post the map and plan for the day on the Come Shepherding blog, then provide a few photos via Instagram as I’m shepherding. At the end of the day, I write up my notes and add them and the photos to the Come Shepherding post for the day.
Six Impossible Things
As often happens to me, I mis-remembered this quotation. I thought it was about doing six impossible things before breakfast, thereby revealing my lamentable tendency to jump into things with all four feet without due consideration of the consequences. Believing six impossible things is a lot harder, I think.
You Don't Sing that Note, Either
Continuing my jazz and shepherding analogy (new subscribers click here for the previous Yarn), there’s a wonderfully apt line from “Birth of the Blues” (1941), set at the turn of the century. A ridiculously young Mary Martin is quizzing Rochester about how to sing the new jazz and blues. Rochester says, “Well, it’s like this. You listen for a note, and when you find it…you don’t play it. Instead, you listen some more, until you find another note…but you don’t play that note, either. Eventually, you find the right note to fit into the music.”